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Man Nature and Music

Artist Nunzio Paci

An historical overview

Everyday we can hear sounds all around us. But sometimes we don't care or pay attention to the sounds we hear. Some people think it’s just a background sound. For me I listen to every sound I hear and develop my imagination.

I Think about the nature of sound.

Hearing and Listening

Our hearing tells us of a car approaching from behind, unseen, or a bird in a distant forest. Everything vibrates, and sound passes through and around us all the time. Sound is a critical environmental signifier.

 

Increasingly, we are learning that humans and animals are not the only organisms that use sound to communicate. So do plants and forests. Plants detect vibrations in a frequency-selective manner, using this “hearing” sense to find water by sending out acoustic emissions and to communicate threats.

 

We also know that clear verbal communication is critical, but is easily degraded by extraneous sounds, otherwise known as “noise.” Noise is more than an irritant: It also threatens our health. Average city sounds levels of 60 decibels have been shown to increase blood pressure and heart rate and induce stress, with sustained higher amplitudes causing cumulative hearing loss. If this is true for humans, then it might also be true for animals and even plants.


Conservation research puts a heavy emphasis on sight – think of the inspiring vista, or the rare species caught on film with camera traps – but sound is also a critical element of natural systems. I study digital sound and interactive media and co-direct Arizona State University’s Acoustic Ecology Lab. We use sound to advance environmental awareness and stewardship, and provide critical tools for deeper consideration of sound in nature preserves, urban and industrial design.

Katricia D. F. Stewart ‘The Essentialism of Music in Human Life and Its Roots in Nature’ (2014)
 

Man-Nature and Music

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In the early part of our human history, We did not have instrumental music.  We were surrounded by the sounds of nature:  animals, the sound of wind. We gradually started to imitate animal sounds by using our voices; transforming the horns of the animal we hunted into simple instruments. The first flutes were made with animal bones.These were the beginning of the connection between nature and music. Music was often connected to rituals.

We then started to use wood and metal to create musical instruments. Most music making was still very connected with nature. But as time passed and technology evolved,  humans started to change.The connection between humans and nature began to fade away.


In the last 50 years, through the use of recording technologies, many musicians and ecologist have started to raise awareness into the sounds of the environment. 

For example, The World Soundscape project founded by Murray R. Shafer in the 1970s.

The World Soundscape Project

THE WORLD SOUNDSCAPE PROJECT

The WSP is an international research project founded by R. Murray Schafer in the 1970s  The project initiated the modern study of acoustic ecology. The goal is to find solutions for an ecologically balanced soundscape where the relationship between the human community and its sonic environment. The WSP records soundscapes around the world, addressing issues related to noise pollution with a focus on preservation of soundmarks from dying sound. 

 

Notable members included

Howard Broomfield,

Bruce Davis

Peter Huse

Barry Truax 

Hildegard Westerkamp

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